In my "Hitchhiker’s Guide to the Symphony," I asked the question “What makes us sit still for up to an hour listening to extended abstract music played by an orchestra?” I am struck how each person discovers a different doorway to this aesthetic pleasure. For me, it was four measures of chords played by the woodwinds in the slow movement of Beethoven’s Fifth. I asked my webmail community, "What specific musical passage first grabbed you?"
Here are the stunning responses:
Thinking back for the ''first memory'' I think it was the Mendelssohn violin concerto, a recording of which my violinist uncle played for me in Lincoln, Nebraska. I was four years old. The other memory would be the old shellac recording of the Polovstian Dances by the Metropolitan Opera Orchestra on Columbia Records (I EVEN REMEMBER THE LABEL!) which I played on our windup Victrola in the ''music room''. That would be 83 years ago. I thought the little [...]
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Here are the stunning responses:
Thinking back for the ''first memory'' I think it was the Mendelssohn violin concerto, a recording of which my violinist uncle played for me in Lincoln, Nebraska. I was four years old. The other memory would be the old shellac recording of the Polovstian Dances by the Metropolitan Opera Orchestra on Columbia Records (I EVEN REMEMBER THE LABEL!) which I played on our windup Victrola in the ''music room''. That would be 83 years ago. I thought the little [...]